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Digital Audio Effects

  1. Authors: Augusto Sarti (EURASIP Member), Udo Zoelzer, Xavier Serra, Mark Sandler and Simon Godsill (EURASIP Member)
    Citation: EURASIP Journal on Advances in Signal Processing 2011 2010:459654
  2. An algorithm is presented which automatically sets the attack, release, threshold, and hold parameters of a noise gate applied to drum recordings which contain bleed from secondary sources. The gain parameter ...

    Authors: Michael Terrell, Joshua D. Reiss and Mark Sandler
    Citation: EURASIP Journal on Advances in Signal Processing 2011 2010:465417
  3. We describe a novel query-by-example (QBE) approach in music information retrieval that allows a user to customize query examples by directly modifying the volume of different instrument parts. The underlying ...

    Authors: Katsutoshi Itoyama, Masataka Goto, Kazunori Komatani, Tetsuya Ogata and Hiroshi G. Okuno
    Citation: EURASIP Journal on Advances in Signal Processing 2011 2010:172961
  4. The paper presents methods for instantaneous harmonic analysis with application to high-quality pitch, timbre, and time-scale modifications. The analysis technique is based on narrow-band filtering using speci...

    Authors: Elias Azarov, Alexander Petrovsky (EURASIPMember) and Marek Parfieniuk (EURASIPMember)
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:712749
  5. This paper presents a new approach to modal synthesis for rendering sounds of virtual objects. We propose a generic method that preserves sound variety across the surface of an object at different scales of re...

    Authors: Cécile Picard, Christian Frisson, François Faure, George Drettakis and Paul G. Kry
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:392782
  6. In this paper, a piano chords detector based on parallel interference cancellation (PIC) is presented. The proposed system makes use of the novel idea of modeling a segment of music as a third generation mobil...

    Authors: Ana M. Barbancho, Lorenzo J. Tardón and Isabel Barbancho
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:179367
  7. We present an extension of the fast beam-tracing method presented in the work of Antonacci et al. (2008) for the simulation of acoustic propagation in reverberant environments that accounts for diffraction and...

    Authors: F Antonacci (EURASIP Member), A Sarti (EURASIP Member) and S Tubaro (EURASIP Member)
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:642316
  8. Localization of sounds in physical space plays a very important role in multiple audio-related disciplines, such as music, telecommunications, and audiovisual productions. Binaural recording is the most common...

    Authors: Maximo Cobos, JoseJ Lopez and Sascha Spors
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:415840
  9. Crosstalk cancellation plays an important role in displaying binaural signals with loudspeakers. It aims to reproduce binaural signals at a listener's ears via inverting acoustic transfer paths. The crosstalk ...

    Authors: Lin Wang, Fuliang Yin and Zhe Chen
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:719197
  10. A new method of identification, based on an input synchronized exponential swept-sine signal, is used to analyze and synthesize nonlinear audio systems like overdrive pedals for guitar. Two different pedals ar...

    Authors: Antonin Novak, Laurent Simon and Pierrick Lotton
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:793816
  11. A real-time semiautonomous stereo panning system for music mixing has been implemented. The system uses spectral decomposition, constraint rules, and cross-adaptive algorithms to perform real-time placement of...

    Authors: Enrique Perez_Gonzalez and JoshuaD Reiss
    Citation: EURASIP Journal on Advances in Signal Processing 2010 2010:436895